Famous Writers School: A Novel , Counterpoint, 2006.
I Was Howard Hughes: A Novel , Bloomsbury USA, 2003.
Jean Rhys entry in Short Story Criticism series (Editorial Advisor), Layman Poupard Publishing, 2015.
Virginia Woolf Miscellany, Volume 84 (2013): Woolf and Animals.
Virginia Woolf and the Natural World: Selected Papers from the Twentieth Annual International Conference on Virginia Woolf (Co-edited with Carrie Rohman), Clemson University Digital Press, 2011.
Virginia Woolf Miscellany (Guest Editor), Volume 78 (2010): Woolf and Nature.
Essays“Two-Spirits and Gender Variance in Virginia Woolf’s Orlando and Louise Erdrich’s The Last Report On the Miracles at Little No Horse.” in Virginia Woolf : Twenty-First-Century Approaches, Edinburgh University Press, 2015.
"Melted Flesh and Tangled Threads: War Trauma and Modes of Healing in Virginia Woolf’s Mrs. Dalloway and Leslie Marmon Silko’s Ceremony.” Woolf Studies Annual, Volume 21 (2015): 50-77.
"Proportion, Conversion, Transition: War Trauma and Sites of Healing in Virginia Woolf’s Mrs. Dalloway and Leslie Marmon Silko’s Ceremony" in Virginia Woolf and the Common(wealth) Reader: Selected Papers from the Twenty-Third International Annual Conference on Virginia Woolf, Clemson University Digital Press, 2014.
"Introduction: Woolf and Animals.” (Co-authored with Vara Neverow) Virginia Woolf Miscellany, Volume 84 (2013): 1-2.
“Who’s Behind the Curtain? Virginia Woolf, ‘Nurse Lugton’s Golden Thimble,’ and the Anxiety of Authorship.” in Contradictory Woolf: : Selected Papers from the Twenty-First Annual Conference on Virginia Woolf, Clemson University Digital Press, 2012.
“Introduction.” (Co-authored Carrie Rohman) in Virginia Woolf and the Natural World: Selected Papers from the Twentieth Annual Conference on Virginia Woolf, Clemson University Digital Press, 2011.
“Comparative Modernism: The Bloomsbury Group and the Harlem Renaissance" in Virginia Woolf's Bloomsbury, Palgrave Macmillan, 2010.
"Introduction: Woolf and Nature.” Virginia Woolf Miscellany, Volume 78 (2010): 1-2.
"Born in a Hot Place’: Kristevan Foreignness in Jean Rhys’s Voyage in the Dark." The CEA Critic, Volume 73 No. 1 & 2 (2010): 15-33.
"Yes, it can be sad, the sun in the afternoon’: Kristevan Depression in Jean Rhys’s Good Morning, Midnight.”." Journal of Modern Literature, Volume 32 No. 3 (2009): 63-82.
"Signs I Don’t Understand’: Language and Abjection in Molloy.” Journal of Beckett Studies, Volume 17 (2008): 52-77.
“Jean Rhys’s Postmodern Narrative Authority: Selina’s Patois in ‘Let Them Call it Jazz.’” College Literature, Volume 35 No. 2 (2008): 20-37.
“Virginia Woolf, Zora Neale Hurston, and the Resonance of Literary Group Affiliation” in Back to Bloomsbury: Selected Papers from the Fourteenth Annual Conference on Virginia Woolf , California State University Press, 2008.
“‘A House Made With Stones/Full of Stories’: Anthologizing Native American Literature” in Multiethnic Literature and Canon Debates, State University of New York Press, 2006.
“‘Altered and Cut to an Echo’: Marriage and Modernism in Jean Rhys’s After Leaving Mr. Mackenzie.” The CEA Critic, Volume 67 No. 2 (2005): 29-42.
““Filming Feminism: A Room of One’s Own on Masterpiece Theatre” in Woolf in the Real World: Selected Papers from the Thirteenth Annual Conference on Virginia Woolf, Clemson University Digital Press, 2005.
“Postcolonial Theory and the Undergraduate Classroom: Teaching ‘The Red Convertible.’” Pedagogy: Critical Approaches to Teaching Literature, Language, Composition, and Culture , Volume 2 No. 1 (2002): 109-112.
Encyclopedia Entries“The Brownies’ Book,” entry in the Encyclopedia of the Harlem Renaissance, Routledge, 2004.
“Literary and Artistic Prizes,” entry in the Encyclopedia of the Harlem Renaissance, Routledge, 2004.